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Suzannah Sinclair (USA)
www.suzannahsinclair.com


Introduction

Suzannah Sinclair borrows images from vintage men´s magazines of the 1970s for her watercolor paintings on birch panels. She is, in her way, reclaiming the centerfold. She paints nude women, stereotypically reclining on the grass or cavorting in front of a mirror. What´s different is in the women´s eyes. They don´t have the quasi-confrontational come-hither gaze of the Playboy centerfold. Rather, they appear to have an inner life. It´s intentionally hard to tell what´s going on with them emotionally. The paintings are gorgeously crafted. The transparent watercolor reveals the wood grain beneath, suggesting that these images are just shimmers, here and gone, passing as quickly as a desire sated. Sinclair imbues her work with a vivid push-pull effect, deploying strategies of objectification even as she recovers some of her subjects subjectivity. Clearly, this artist loves beauty, but as she revels in it with her forms and materials, she also questions its costs.


Vice Magazine


Feeling is Good, 2011
(installation view, Stene Projects)



Field Study, 2011
61X61cm, watercolour on birch panel
(Feeling is Good)



Lack of Conclusion, 2010
71X61cm, watercolour on birch panel
(Feeling is Good)



Tonight, 2011
31X23cm, watercolour on birch panel
(Feeling is Good)



Nowhere , Somewhere, 2010
87X119cm, watercolour on paper
(Feeling is Good)



On the Beach, 2011
28X41cm, watercolour on birch panel
(Feeling is Good)



Wasn´t it fun, 2011
71X61cm, watercolour on birch panel
(Feeling is Good)



Lazy, 2011
46X61cm, watercolour on paper
(Feeling is Good)



Bright and Calm, 2010
36X51cm, watercolour on birch panel
(Feeling is Good)



Good things, 2010
watercolor and pencil on handmade twinrocker watercolor paper



Lay me down, 2010
watercolor and pencil on handmade twinrocker watercolor paper



Precarious, 2010
30X15cm, watercolour on birch panel



Memento, 2010
15X20cm, watercolour on paper



That Was No Goddbye, 2008
66X51cm, watercolor on birch panel



Silent pale love, 2008
90X110cm, watercolor and pencil on birch panel



Dear Independence, 2008,
41X33cm, watercolor and pencil on birch panel




Becoming Visible, 2008
30X23cm, watercolor on birch panel



Queen Jane, 2008
90X85cm, watercolor and pencil on birch panel



The Girl with the Sun In Her Eyes, 2008
61X90cm, watercolor and pencil on birch panel



Me (when you are looking), 2008
90X85cm, watercolor and pencil on birch panel



And then I'll be gone, 2008
100X60cm, watercolor and pencil on birch panel



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